hammer horror films actors

They eventually entered talks with Associated Artists Productions (a.a.p.) The actress was best-known for the Hammer Horror films as well as Doctor Who. Barbara was popular for her roles in classic horror films which were produced by London-based Hammer Film Productions, including The Gorgon, The Pit and Quatermass. 10 Best Hammer Horror Movies The greatest output from a studio that redefined Universal Monsters for a pulp audience. Hammer Film Productions is celebrated for a series of Gothic horror films made in the 1950s, '60s, and '70s. In a break from their cinema format, these self-contained episodes featured plot twists which usually saw the protagonists fall into the hands of that episode's horror at the end. Founded in 1934, the company is best known for a series of Gothic horror films made from the mid-1950s until the 1970s. Valerie Leon. Many of these involved classic horror characters such as Baron Victor Frankenstein, Count Dracula, and the Mummy, which Hammer reintroduced to audiences by filming them in vivid colour for the first time. Shelley as she appeared in 1964 TV series Rupert of Hentzau. The series featured a different kind of horror each week, including witches, werewolves, ghosts, devil worship and voodoo, but also included non-supernatural horror themes such as cannibalism, confinement and serial killers. This morning the actress passed away after contracting COVID-19, her agent confirmed. Roman Polanski's Rosemary's Baby was a successful example of psychological horror, while Bonnie and Clyde and The Wild Bunch exposed mainstream audiences to more explicit gore, and were more expertly staged than Hammer films. I don't see the point."[41]. The Horror of Hammer cast members have done many other films so be sure to check out the filmographies and individual pages of the stars of The Horror of Hammer. and head, Eliot Hyman. The actress was the star of 1950s and 1960s Hammer Horror films … BARBARA Shelley, the actress hailed as the "Queen of Hammer," has died at the age of 88. They play out a 1950s reverie of contagion, lust and post-Suez anxiety. Not able to afford top stars, Hammer acquired the film rights to BBC radio series such as The Adventures of PC 49 and Dick Barton: Special Agent (an adaptation of the successful Dick Barton radio show). The series was made in association with 20th Century Fox (who broadcast films as Fox Mystery Theater) and as such, the sex and violence seen in the earlier series was toned down considerably for US television. 1. In 1950, Hammer moved again to Gilston Park, a country club in Harlow Essex, which hosted The Black Widow, The Rossiter Case, To Have and to Hold and The Dark Light (all 1950). For the next production, Dr Morelle - The Case of the Missing Heiress (another radio adaptation), Hammer rented Dial Close, a 23 bedroom mansion beside the River Thames, at Cookham Dean, Maidenhead. He was also concerned about typecasting, and after filming The Satanic Rites of Dracula he finally quit the series. She was 88. The film tells the story of Henry Henry, an unemployed London street musician, and the title was a "playful tribute" to Alexander Korda's The Private Life of Henry VIII which was Britain's first Academy Award for Best Picture nominee in 1934. If we saw the logo of Hammer, we knew it was going to be a very special picture. The house was renamed Bray Studios after the nearby village of Bray and it remained as Hammer's principal base until 1966. "Altogether this is a horrific film and sometimes a crude film, but by no means an unimpressive piece of melodramatic storytelling" wrote one critic of Dracula in The Times in 1958. Caroline Munro, the British actress who was both a Hammer Horror mainstay and a Bond Girl, was a top onscreen seductress of the '70s. Concerned that Subotsky and Rosenberg's script had too many similarities to the Universal films, Hinds commissioned Jimmy Sangster to rewrite it as The Curse of Frankenstein. The Horror of Hammer cast members have done many other films so be sure to check out the filmographies and individual pages of the stars of The Horror of Hammer. Neither did I. Lee has been in 266 films since 1948: that’s impressive. had not arrived. Because of its major continuity problems, not only with other films of the series but also within itself, it is often considered not to be a part of the Dracula series, but rather another Hammer vampire film. Born on 13 February 1932, the popular actress was at her busiest in the late 1950s (Blood of the Vampire) and 1960s when she became Hammer Horror’s number-one female star, with The Gorgon (1964), Dracula, Prince of Darkness (1966), Rasputin, the Mad Monk (1966), and Quatermass and the Pit (1967) among her credits. The early Hammer films offer a last gasp of British romanticism, the solid sets drenched in a soft brilliance of shadows, of greys, reds and blues; when these films stray into the far woods, it's always autumn there, never spring. [17] It was Lippert's insistence on an American star in the Hammer films he was to distribute that led to the prevalence of American leads in many of the company's productions during the 1950s. As production began on Quatermass 2, Hammer started to look for another U.S. partner willing to invest in and handle the American promotion of new product. She has been featured in more than 100 films and TV series. This list of who was in The Horror of Hammer can be sorted by any column, but is currently alphabetical and includes photos of who starred in The Horror of Hammer when available. [49], — Martin Scorsese on the heyday of the horror movie.[50]. During this period, two young American filmmakers, Max J. Rosenberg and Milton Subotsky, who later established Hammer's rival Amicus, submitted to a.a.p. In the latter part of the 1970s, Hammer made fewer films, and attempts were made to break away from the then-unfashionable Gothic horror films on which the studio had built its reputation. Hammer's horror films were often praised by critics for their visual style, although rarely taken seriously. Hammer's financial success also meant the winding-down of the parent film distribution company Exclusive, leaving Hammer to concentrate on filmmaking.[26]. Series Directed by. Prison Story). In 1971, she would star alongside horror master Vincent Price in the film The Abominable Dr. Phibes as Victoria Regina Phibes. The film was an enormous success, not only in Great Britain, but also in the U.S., where it inspired numerous imitations from, amongst others, Roger Corman and American International Pictures (with their series largely based on Edgar Allan Poe – the so-called "Poe Cycle"). 4. The house, virtually derelict, required substantial work, but it did not have the construction restrictions that had prevented Hammer from customising previous homes. This success was, in part, due to its distribution partnerships with American companies United Artists, Warner Bros., Universal Pictures, Columbia Pictures, Paramount Pictures, 20th Century Fox, Metro-Goldwyn-Mayer, American International Pictures and Seven Arts Productions. The Mummy went into general release on 23 October 1959 and broke the box-office records set by Dracula the previous year, both in Great Britain and the U.S. when it was released there in December.[35]. The huge box office success of The Curse of Frankenstein led to the inevitable desire for a sequel in The Revenge of Frankenstein, and an attempt to give the Hammer treatment to another horror icon. During the late 1960s and 1970s, the saturation of the horror film market by competitors and the loss of American funding forced changes to the previously lucrative Hammer formula, with varying degrees of success. The film was produced in collaboration with the Swedish company Solid Entertainment, makers of the vampire film Frostbiten, which pays homage to the Hammer vampire films among others. were not prepared to back a film made by Rosenberg and Subotsky, who had just one film to their credit. The project was handed to Tony Hinds, who was less impressed with the script than Michael Carreras, and whose vision for the film was a simple black-and-white 'quickie' made in three weeks. In 1946, James Carreras rejoined the company after demobilisation. Eventually Hammer upped the graphic violence and gore with Scars of Dracula in an attempt to re-imagine the character to appeal to a younger audience, but the movie's commercial failure led to a further change of style with the following films. In 2000, the studio was bought by a consortium including advertising executive and art collector Charles Saatchi and publishing millionaires Neil Mendoza and William Sieghart. [9] Hammer produced four films distributed by Exclusive: A slump in the British film industry forced Hammer into bankruptcy and the company went into liquidation in 1937. The Best! (1974's Frankenstein and the Monster from Hell, for example, features a scene where the Baron treads on a discarded human brain.). Now set in a new Dracula timeline, Peter Cushing appeared in both films, playing Professor Lorrimer Van Helsing, as well as his own grandfather (Lawrence Van Helsing) in the prologue of the first of the two films. Daniel Radcliffe stars as lawyer Arthur Kipps. Hammer House of Horror Edit. She was uncredited in the film and did return for the 1972 sequel Dr. Phibes Rises Again. In the 2000s, although the company seemed to be in hibernation, frequent announcements had been made of new projects. The company signed a one-year lease and began its 1951 production schedule with Cloudburst. [29] However, recent research suggests that the issue of who exactly funded Dracula is still not entirely clear (see Barnett, ‘Hammering out a Deal: The Contractual and Commercial Contexts of The Curse of Frankenstein (1957) and Dracula (1958)’, Historical Journal of Film, Radio and Television, published online 19 November 2013). Christopher Lee. Hammer films had always sold, in part, on their violent and sexual content. This was a practice they had making Dick Barton movies which they continued to their horror movies and other genres. This wiki is about Hammer horror films. The Evil of Frankenstein stars Cushing but due to an agreement made with Universal to more closely pastiche their version of the Frankenstein story, it re-tells the Baron's history in flashbacks that bear no resemblance to the two earlier Hammer Frankenstein films, and portrays the Baron with a very different personality, resulting in a film which permanently breaks the chronological continuation of the series. Hammer Film Productions Ltd. is a British film production company based in London. A good chunk of those movies were Hammer Horror. Hammer Horror Christopher Lee's career is synonymous with the horror genre. In 2010, Hammer, in partnership with Overture Films and Relativity Media, released Let Me In, a remake of Swedish vampire film Let the Right One In.[46]. In this film, it was bright red, and the camera lingered on it. Shown on ITV, it ran for 13 episodes with a running length of approximately 51 minutes each. They included some of the most explicit scenes of lesbianism yet seen in mainstream English-language films, along with a corresponding increase in sequences involving nudity, despite otherwise traditional Hammer design and direction. Simon Oakes, who took over as CEO of the new Hammer, said, "Hammer is a great British brand — we intend to take it back into production and develop its global potential. See Kinsey (2005) p.86, Universal itself was having financial difficulties at the time. Frequent announcements had been made of new projects produce it as a colour film 2008, backed by same! 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